The Daily Edit – Tracy Barbutes: San Franciso Chronicle

The Daily Edit – Tracy Barbutes: San Franciso Chronicle


Heidi: Being Based Near Yosemite National Park for Over Two Decades, how did the rim fire change your personal on today’s wildfires?
Tracy: This was my first intimate experience with wildfire, as a photojournalist and as someone directly impacted by the fire. Our neighborhood was asked to evacuate, but I returned home ed night to a smoky home, where I watched from my kitchen window as flames encroached into our communication. I observed national and international media materialize into and out of our Rural, Gateway Community, Bringing with Them Certain Ideas and Prejudices, many of whom Had almost No Experience in a wildfire Landscape. I witnessed fear and uncertainty in the region, especially in the early stages, which brought about a lot of miss-information. I listened to many monday morning Quarterbacks. With Each New Large Fire, I Cringe when I see Similar Behavors. Here’s what i Learned to be true – The Firefighting Personnel (Firefighters, Dozer Drivers, Sawyers, Air Attack, Water Tenders, Incident Commanders, Etc.) Protect people and property. All of this informs the work I generate with each new fire. At the time, the fire was the third largest in the state: It burned 400+ square miles. Given what the state has experienced since then, it now seems almost quant.

How did the public information officers impact your understanding of how to safly document fires?

I open the rim fire pios a world of Gratitude. I spent many days on the fire line with them, often 1-1, and they gave me the tools to walk confidently, knowledgeable into a wildfire. They also taught me about chain of command, and most importantly, they encouraged me to take the US forest service basic 32 (it’s now called basic 40). The following spring, I took the course, training with folks who went on to become firefighters. The course gave me an undersrstanding of how fire burns in different conditions, as well as what it’s like to be on the ground as a firefighter. All of it, the pios, the courses – informed the work I create and how I create.

In your mind, how have social media impacted the natural wonder of the firefall, if at all?

Having lived near an entrance to yosemite for more than two decades, I can say that yes, social media has brough a lot of Attention to Firefall. There are now required reservations to enter on weekends during the event, whereas it was a beautiful, quiet, peaceful, reflective, somet non-event in the pre-social medea obsession days.

Once the American Flag Unfurled from the Top of El Cap, how did the crowd react to the protest during firefall?

There wasn’t any one big unfurling moment, so there wasn’t a collective gasp or anything from the crowd. There was mixed reactions on the ground as the flag became more visible. I heard a lot of different Chatter as I Moved Around Gathered to Watch Firefall:

“Is that a Puerto Rican Flag? Do they realize the flag is upset down? Are those trump supporters up there? Oh, I wonder if this is a protest? If this is a protest in support of the park, then I am all for it. I don’t appreciate it – no hand of man. I don’t think it should be there. “

People mentioned that they would crop the flag out of the photo if it was still there during firefall.

Did you undersrstand this as a historical moment considering the threats to our public lands and thats who care for them?

I didn’t understand the history magnitude at the time, as I was focused on creating imagery and meeting deadline. With a bit of space between now and then – I absolutely undress how the act, and the imagery, Ignited awareness and action. I believe the real discussions, the emotion, the action, the new acts of resistance – began on the San Francisco Chronicle (and Eventurally others) published photos of the Flag Instress.

Did other news agencies inquiry about using this photo?

Many. I did license the image to a less other agencies – as time has allowed. I’m a one-son operation, and I have been working out of the area on other assignments since the event.

Have you navigated usage and copyright infringement before?

I have had to go to battle to protect one of my registered copyrighted images. Several years ago, I noticed one of my images on a billboard while driving to an assignment. I knew exactly who I had created the image for, and we had a very clear-cut photo agreement that did not involve using my work for a billboard. My first call was to the National Press Photographys Association’s (NPPA) Legal Counsel. I am a member, and it is another invaluable organization for photos. They connected me with a copyright attorney, and I took on the fight with her minimal, and sage, counsel. I Coldn’t Afford Expensive Legals-Thnce Minimal Counsel. It was wickedly stressful and enormously Empowering – and i won. Photographers – Register your work with the US copyright office!

How has been part of women photo supported your career thus far?

Women photograph’s mission is to shift the makeup of the photojournalism communication and ensure that the industry’s Chief Storylilers are as DIVERSE AS DIVESE SOPESE TO REPERSETES. The Private Database Includes more than 1,400 independent documentary photographers based in 100+ counties. WP Consistent Promotes Members’ Work, Directs Members to Grant and Learning Opportunities, and it was a lifeline during the Pandemic. It’s a safe space for members to ask questions, vent, share knowledge, support and encourage one another. It’s an invaluable organization that has created, and continues to create, Opportunities and Awareness. If i may say, this is a non-profit organization, please consider a donation.

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